dubstep

Upcoming Shows

Hey all! I’ve teamed up with WiX and Coda of JumpDownMusic to present you with the following Baltimore dubstep event for March 18th, 2009. It’s gonna be a great time, so make sure you get out and party with us, along with brilliant dubstep producers ULTRABLACK and NUMBERNIN6

 

Also the day before, Ultrablack, WiX, Coda, and myself will be performing in Philly as part of the Magical Ultrablack + Hubsmoke + WiX + Coda Topless Two Day Tour of Philly and Bmore!

 

Update (2/19/09): Harrisburg, PA show now confirmed Braptizm @ Spy Club (Friday, March 20th) Flyer on the way.

 

 

 

 

 

 

 

 

So all the info:

3/17/09 - EC09 @ Liquid Charm (Philadelphia, PA)

3/18/09 - DUB:FWD @ Club Orpheus (Baltimore, MD)

3/20/09 - Braptizm @ Spy Club (Harrisburg, PA)

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Friday, February 13th, 2009 General Stuff No Comments

DubFWD Progress!

I’ve been working on DubFWD.com nearly every day and have made quite a bit of progress. Uploading and transcoding to 128kbps mp3 works, and the upload process is streamlined to the max for ease and simplicity. The key to this site is everything is sooo simple. I’m having a lot of fun working on this, and I hope I can start some alpha testing when it is feature-complete within the next couple of weeks. The first cut of the DubFWD Audio Player is featured in this screenshot:

Click to see it big! Anyway, still got my work cut out for me in terms of the UI, player interface, and logo, not to mention ironing out some whacky initial bugs I’ve been seeing. Anyway, comments are appreciated. Also, my brother has been pushing to change DubFWD to dubFWD (notice the lowercase ‘d’), what do you think?

BRAP!

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Thursday, January 22nd, 2009 Technology 1 Comment

More Dubstep: “Heroin Eyes” and DubFWD!

    

Heroin Eyes by hubsmoke

Finished this one up recently…now I’m going to change gears a bit in my production. I think I’ve done a good amount of experimentation with this particular crunchy sound, and I’m going to experiment a little bit more. I was really proud of what I did with “Wound”.  It received the best response I’ve ever gotten for a track so far, so I felt a bit uneasy with going outside of that sound. Though I’m still very in love with these tracks, I want to branch out way more and go crazy with experimentation. My brother showed me some of Distance’s dubstep work and it was no surprise to me that both he and I both come from a metal background. I’ve really fallen in love with Distance’s sound and I’ve become a bit inspired to widen the spectrum as he has with his productions. I’m not saying I’m going to try to emulate his sounds or anything like that at all, just simply experiment more and try to give my productions more of my own character. I’m still learning so much on the technical side of things, but I really enjoy the process and can’t wait to give it another 6 months to see where it goes.
Through experimentation I’ve learned a lot about mixing and a teensy bit about mastering these past couple weeks. There is so much value in mixing down correctly. I did some reading to try to improve my mixdowns and I’ve learned that it is very important to:
1) Set all of your tracks’ volumes (sub, drums, synths, etc) all the way down when the arrangement is complete and you’re ready to mix down
2) Turn up your monitors very high until you can bring up the drums to about -15dB with it sounding as loud as you can bear it (it’s all about monitor levels…seriously, louder the better)
3) With the drums at the right level, bring in the sub-bass until it’s working with the kick drum nicely (this can be tough, but you just have to do it the best you can and make sure you test it on a different system if possible)
4) Mix everything else in one at a time, and get all the levels so the master level peaks at about -6dB max (less if possible, if it starts getting to even -3dB, I say start over and turn UP your monitors)
5) Then bounce out to WAV and master with EQ til the sound is to your taste and you can mess with stereo panning and all that (but I don’t really know much about the right thing to do for that) and mess with a limiter until it doesn’t go above 0dB.
This method is probably very obvious to most people (or maybe not, or maybe it’s not even “correct”?!)…but for me, “Heroin Eyes” was the first time I did this, and I think it sounds more “mastered” than my other tracks. At the same time, I’m so new at this that if I get any of these tunes signed for a release I will most certainly have the mastering outsourced to someone with more experience and actually knows what they’re doing. I’m happy with what I’ve done so far, but there is an incredible amount of knowledge to gain simply through mixing down and mastering alot of tracks.

In other news, I’m building a prototype of a service I’m calling “DubFWD”. It will essentially be a place exclusive to dubstep producers (and DJs) to upload unlimited tracks for free. I plan on have many features tuned to the needs of the people on dubstepforum such as easy high-quality mp3 sending (possibly with the option to mass PM a set of users on dubstepforum, something that is currently unavailable on dubstepforum, but I think I know how to do it externally), also charts for tracks with the most views for all time/year/month/week/day as well as once-click mp3 request, easy display of the producer’s (or DJ’s) preferred method of contact for inquiries, as well as a one-click way of letting a producer know you’ve used their tune in a mix or live. All free! BUT, this is only a local development prototype that I’ve JUST started. I’m experienced with web application development, but I’m definitely going to face some challenges I never have before, so I cannot promise anything at the moment. I can say, that I have registered www.DubFWD.com and www.DubForward.com (cuz I really don’t want to say “Dub F-W-D” anytime I’m talking about it haha). I’m posting all of this information here because I’m trying to really commit myself to finishing it as soon as possible.
I’m no graphic designer, but I made a quick logo that is certain to go through some changes by my graphic design friends, but I’m all ears for feedback, suggestions, and what DubFWD may mean to you if you’re a dubstep producer/DJ.
DubFWD!

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Thursday, January 8th, 2009 Music, Technology 1 Comment

Ready Rock on the Reading Railroad

Hello there. I just finished off a new track called “Ready Rock”, celebrating how ready we are to rock our socks off and just rock out. Who is we? Who knows! What does the stuff I say mean? Doesn’t matter!

Anyway…just a quick post of my new tune.

 

Also, I got on my first flyer for a party on January 17th at The Black Hole in Baltimore!!
Stay tuned for the launch of www.hubsmoke.com - future home of my hot traxxx, sensual mixes, event information, and all that dubstep related goodness.
I’ll do that one in Ruby on Rails maybe, I want to add some stuff like a password protected 320 mp3 vending machine haha. Actually, that’s not a bad idea…

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Wednesday, December 10th, 2008 General Stuff No Comments

Two New Tracks

Thought I’d post these bad boys up. These tracks are definitely much cleaner than the stuff I’ve done before. This is because I decided to stop using Reason as a sequencer and just bounce out loops to a different wav sequencer. Takes away all the blips and clicks. A big change with these is also the drums sounds…less reverb and more pop in the snare, cleaner hihats with sexier rhythms, and a kick drum that is EQ’d to cut through the sub-bass just enough to be heard without interfering too much (hopefully, if I had a better sub to monitor on I’d know for sure haha).

Soundcloud is a great service if you’re a DJ or producer…unlimited file sizes, decent stat reporting, and good presentation of tracks. Too bad the Pro versions are obscenely expensive…I’m not going to ever pay ~$760 for a year of the Pro Max account… Maybe $100, but only maybe.

Tracks following. Feedback, crits welcome and wanted!

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Friday, December 5th, 2008 Music No Comments

On Dubstep

The label “dubstep” is so ambiguous. I have heard many people suggest that dubstep should be redefined into subgenres for the many different styles of the genre that exist. Many argue against this, and I can see why, it’s definitely cool to have so many different styles within one genre, but dang is it hard to get people to know what specific style you’re talking about! I mean, I’ve met many people who like dubstep, only to find that we’re not really into the same style. Also, shows that have dubstep on the ticket may not end up being the vibe you were looking for, it can be the difference between have a chilled out or a crazy night.

For me, I refer to them in my head as such, but please note, these labels do often intersect, they are not to be taken as concrete divisions at all:

  • Minimal: 
    This is like the style of most of the stuff that came out from South London in the early 2000’s. Focus on an aesthetic sub-bass accompanied by a smooth drum track. Nothing too jarring to the ears. Plenty of producers that are keeping this style interesting, but it can be very boring, monotonous, and repetitive. Often very emotional, definitely chill, minimal, ambient dubstep.
    Artists: Digital Mystikz, Martyn, TRG, Burial, and (most) Skream
  • Reggae:
    You know what I’m talking about. Dubstep that’s got a Jamaican man singing sweetly to you over some synthed out reggae groove…or just a straight reggae track with some synths and drums added.
    Artists: All I know really are Kromestar and F1, don’t listen to much of this style.
  • 2-Step/Garage (formerly Housey / “Dancey”):
    There is more pronounced 4/4 bass action (be it the kick drum or sub-bass). It’s got more of a dancier pulse than other dubstep, feels housey when it’s less minimal.
    Artists: (some) Rusko, Headhunter, Mala
  • Grimey:
    This stuff just features that majorly detuned, fat, grime bass synth. Usually focusing on that bass sound with lots of repetition. More of a focus on mid-range bass sounds than the minimal stuff mentioned above. Slowed down grime, with some flair. I’ve noticed they always supplement with some either drum & bass or reggae sounds to keep it “soundin dubstep”, haha!
    Artists: Plastician, (most) Tes La Rok, Crissy Criss
  • Techy / Filthy / Gritty / Crunk: (aka the SHIT)
    This is my favorite style of dubstep. Basically, this is the very techy-sounding, drum & bass influenced dubstep. Focus is on the synth sounds and often with multiple synthlines rhythmically playing off of one another. Basically everything that I’ve heard so far from the Audiofreaks label sounds like this.
    Artists: (some) Caspa, Bar 9, Emalkay, Ruckspin, Reso, (newer) Stenchman

Hopefully that was confusing enough!

Of course, not all of the artists I listen will adhere completely to each of those labels I made, but I’m just trying to give you an idea of what I mean, more specifically than just describing the sound in words.

I appreciate all styles of dubstep, even those that don’t fall into these categories, and know that there definitely are outliers! But I just wanted to lay out my thoughts on the issue and explain what I’m into. I’d rather spin, listen, and dance to grimey and techy dubstep. This stuff captures an “epic” feeling, it’s also got some insane sounds I’ve only heard in drum & bass, but they are so much crazier at half-step, just because there’s a greater focus on the bass than the drum rhythm. I pretty much never listen to housey dubstep. Sometimes I’ll listen to especially well done minimal tracks, such as stuff by Burial. I do enjoy reggae dubstep, but probably won’t spin it at shows, just because I don’t listen to enough of it.

I definitely recommend checking all these artists out for some dubstep perspective.

I’m listening to Bar 9 at the moment, “Murda Sound” is SO sick. YouTube it!

Edit: I brought YouTube to you, enjoy!

Edit (2/5/09): I’m going to go ahead and change the “housey” classification to 2-step/garage. I hadn’t listened to much 2-step when I first posted this, and I feel that is much more appropriate.

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Tuesday, November 18th, 2008 Music 2 Comments

“Chop” - Work in Progress - 128kbps Preview

» Get Right To The Preview »

I like to blab on about music production, because it is quite intricate, and it challenges me in ways only designing and creating computer software has done for me in the past. It really is the feeling of making something out of nothing that keeps me glued to my computer. Being creative by myself or with a small group of like-minded people is WAY more fun for me than being in school and getting everything force fed to me and the masses. Little ups to large public universities in America. Big ups to the small praying mantises in America.

Reason (aka My Boo)

Whenever I load up Reason to make a new track I always create the generic equipment I need for every song (i.e. Mixer, ReDrum, Malstrom synths). Right after I do all this I’ve lately just been hitting “Save As…” and giving it some random name, before any music is made. I should really be saving it as “Hubsmoke Template”, but anyway, this one ended up being named “Chop”…don’t know how well the title goes with it. We’ll see how I feel when it’s complete.

As for the work itself, I’m fairly pleased with the first part of the song. I was messing around with different synth and distortion settings a lot more with this track, you can hear that it’s got kind of Rusko-like synth in the first half. The first drop is kinda sketchy, I want to clean it up and give it some more energy when going into the second wave of mid-range basslines. After that it goes into this chiller part, which is what I’m currently working on. Right at the end of the chill part I want to come in with a lot of heavy synth energy, I have the groundwork for those synths there, but I plan on adding plenty more and reworking what I have laid out at the moment.

That synth at the end definitely needs to get beefed up, there’s no sub-bass under it at the moment, but just after listening to it I think I cut some of the lows on that synth too much…no matter, since I literally made that synth in about 5 minutes last night and haven’t gotten a chance to really mess with the sound yet. In addition to everything, I plan on reworking that last synth, do a little bit of call-and-response with it, as well as changing up the drums for that last bit.

I plan on finishing it by the end of next week and dropping it live at the Logan D show at the Black Hole in Baltimore next Saturday (11/22/08). Thanks out to Good Vibes Promo and JumpDownMusic for that gig.

So, 128kbps preview of “Chop”…tell me what you think.

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Friday, November 14th, 2008 Music 1 Comment

i’m a person

Hi, my name is Sina Iman. I like listening to dubstep, and I love making it. I’ve got some tracks on my MySpace (www.myspace.com/hubsmoke) and I often give them away for free, just let me know if you like what you hear. If you’re into dubstep, definitely check out dubstepforum, it’s a great resource for fans, DJs, and producers.

I’m also a DJ, I’m starting to do shows in the Baltimore area and I have been doing a radio show at WMUC 88.1 FM in College Park, MD. For more info on dubstep shows in Baltimore and DC, refer to the MySpace or check out Good Vibes Promo.

Other than that, I’ve got a couple of projects I’ve been working on in the world of web development and video games, but I’ll be posting more about that later, as I’m being distracted by the TV at the moment.

Briefly, I’m currently working on a new Flash video game which is being referenced as “Swann Briggs” inside Common Studios, as well as starting up a web design firm, and other web start-ups. Exciting stuff, to me, yes, but probably not to you until I feel comfortable giving out the juicy details…but more on all that later!

Be sure to check back for cool stuff like samples of tunes I’m working on, what shows I’ll be playing, and how my projects are coming along.

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Thursday, November 13th, 2008 General Stuff 3 Comments
Let us all gather 'round over some Melon Light in the melon light.

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